The Actual Dance - a one-man play and story that explores what love really means
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Sacred Promise

2/23/2018

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The Actual Dance is about what love really means.   It is about how two-people over time grow together and become as one – “each and equal half of the other.”   Susan and I have been married 51½ years, but who is counting, right.

We were once asked by a young college student what we thought the “secret” was.  There are always humorous answers to such a question.  “Yes, dear.” Is what I could have answered. 
Instead, this time, Susan and I looked at each other and answered: “keeping a promise.”    I think it was the way the young student asked the question.  The look, the tenor of her voice.   It was as if there was something in her life that had been different.  She was serious.  It was not a frivolous question.

So, we answered seriously, with a singular perspective: “Keeping a promise.” Or what we call a “sacred promise.”

Marriage is a process and a journey.  At some point in romantic relationships the people involved discover attractions – some are intellectual, some are sensual, some are undefinable.
There are rituals of getting to know each other and developing intimacy.  “Knowing” each other – intimately.  Discovery of the other:  How do you see the world, what do you value, how do you think and what do you like, what makes you happy, afraid?   The rituals occur over time and can be mysterious.  That is, knowledge discovered after the fact.

In the middle of all this we –  the individuals who make up the couple -- are different people with different skills and experiences.  Each will create a unique experience and life, while all the time becoming more intimate.

It is complicated.

As the relationship builds with the other, each person struggles with their own identity and meaning.   We have our own personalities and we keep learning about ourselves. 

All this complexity and then one-night, for us it happened when we were 21 (me) and 20 (Susan) years old, you stand together and promise to love the other in sickness and health, in good times and bad and to do so for as long as each shall live.  At least that is what Susan and I did. On August 23, 1966. 

My focus on Valentine’s Day 2018, was going to be on the question of what happens when something goes wrong in a marriage.  What does it mean to when we say: “I do.”   (By the way, I said “Yes.”) and then something goes wrong.  And by the way, in every marriage over time many things will go wrong.
 

A sacred promise doesn’t mean that it cannot ever be broken. Divorce is an important and necessary institution in society in the modern era.  A vital escape valve to an improvident marriage, or one that turns improvident over time.  There is a myriad of reasons that will come up and make the dissolution of the marriage, the ending of the agreement or contract, necessary. 

This Valentine’s day, until the Parkland shooting, the public focus was on a different kind of violence, “domestic violence.”

As complicated is the concept of a sacred promise to love and live with someone your entire life so too is complicated the fact that during that time one partner can treat the other badly, and violently. It is never okay to do so, and yet it happens. 

Even to us, Susan and me.   In the more than 51 years of marriage I have never struck Susan.  And yes, over the 51 plus years there were incidents when I came close and in fact Susan was fearful.  There were periods of time when I was mean and said and did things that were demeaning and hurtful.  And I should not have done so.   In each incident and the periods over which they happened, I know and understand the fault was entirely mine. I learned that more deeply over time.   And she has as well.  She is NOT and never has been the cause of my faults.

The glue that has kept us together even in those times or even through those incidents involves coming back to the promise.   What makes it sacred is that knowing we must work through it.  In the situations that I am talking here, my impulsive angry and threatening emotional outbursts, these were about me.  There is no doubt that I have in the past hurt Susan, her self-image, her happiness, her self-confidence.   I think in every marriage there are times when each partner wonders if life would be better apart.   And then we think about the promise and figure out how to give each other the space and time to be apart, even while together.
 

If this blog post is getting uncomfortable to read.  Good.  I note too that this is being written by me and does not speak to or for Susan. It is my reflection on my behavior and my understanding of what has kept us together. 

Most of these struggles between intimate partners occur in private.   We don’t show those faces very often.  Many people value ​The Actual Dance, ​the play because, they say, it reveals the unspoken thoughts that most people have during these existential moments.  I have hesitated in publishing this blog because I do think it is uncomfortable to talk about, and I hope it is accepted with the same spirit as the play.

The headlines about White House aide Rob Porter a few weeks ago put a spotlight on the cases where things turn out differently.   It is apparent from the reports that Rob Porter has trouble keeping his temper with intimate partners.  It is apparent too that he used physical violence against two women.  What I don’t understand is his response.
 

He seems to view this history as simply something to get out of his way.  Non-disclosure and financial pay-offs to keep misconduct out of the public eye seems to be the tactic of choice by many powerful men.  Porter continues to dispute the undisputable and show no regret or sorrow.  In that he needs to "handled with care" in private relationships and in employment.

​However, I think that those who have engaged in that behavior can be redeemed and can change.  I know it is not easy and that there are often repeat offenders. Indeed, failure to accept responsibility is an indicator that the behavior will be repeated. I also know that there is meaningful therapy and remorse that can be successfully addressed, and that people can change.  They must be willing to do so, and it often takes a great deal of humility.


What I was going to say on Valentine’s Day of 2018, before something terrible happened, is that I reflect on my own behaviors over the years and stand in awe of Susan’s capacity to forgive and teach and hold me through those times and how hard I will continue to work to never do it again.  I think that is part of the sacred promise – on both our parts.
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Maybe Valentines Day can begin to be a day of confession and forgiveness.  I once participated in a program called “Last Words.”  People were asked to spend 5 minutes on whatever that phrase meant to them.  I still remember, because this was after 2000, the year she almost died, and my first, "last words"  were, “I’m sorry.”  My last, "last words" were “I love you.”   

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Start Our 5th Year -- Support The Actual Dance

12/26/2017

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January 2018 is the start of the fifth year of performances of The Actual Dance.   

It is a play based on my experience as my wife Susan went through advanced breast cancer.  It is about my journey – the husband, lover, soul mate.   Susan’s mother had died from metastasized breast cancer at the age of 56 and Susan’s diagnosis came when she was 54.   My mother had died of metastasized breast cancer and I had been with her when she took her last breath.   What I couldn’t imagine in 2000 was to hold Susan in my arms as she too took her last breath.  

How do I do that?

Happily, Susan is alive and well and we celebrated our 51st wedding anniversary this past August.   In 2000 though in our 34th year of marriage everything I had come to know about breast cancer and even the tacit signals from the doctors told me that I needed to get ready.  How was I going to do that? 

I figured it out.  It took me 12 years and it happened through improv and then theater.

The journey to writing and performing this play is its own story.  From a high-profile Washington lawyer and consumer advocate to a playwright and performer.   So many people to thank for making this show such a powerful experience for those who see it.  You can read about the team and our back-story here. 

A special shout-out to the dramaturge and friend Gabrielle Maisels for her dedication, creativity and commitment to the continued evolution of the The Actual Dance Experience.  She has been and continues to be a partner in this work which reflects her keen eye and heart as well.

My most significant learning has been to experience how powerfully this theatrical piece creates a life altering experience for the audience.   It was in recognition of the intimate nature of the experience that this past year we welcomed a second version of the show with Chuk Obasi.   People confronted with the most basic questions of life and loss respond even more deeply when the performer and the audience can relate to a shared life journey.   Chuk opens that opportunity to African American audiences.

In the 5 years there has been nearly 200 performances. What is most important to me have been the hugs and tears from the audience. The stories of those who also have experienced love and loss in elemental ways.  The whispers from men to me after the show: “Thanks Sam, that is exactly how I felt, I just couldn’t put it in words.”   The man and wife who walk up to me on the street: “We saw your show last night and it has changed how we will relate to each other forever.” The woman who hangs back and then comes up after everyone else has left, with tears streaming down her cheeks: “I lost my mom last week and I saw her leave. I too thought I was crazy. Thank you for letting me know it was real.”

Our Mission -- Our Vision --- is that everyone who needs to see The Actual Dance has the opportunity to do so.  A very ambitious 2018 is being planned, starting in New York on January 11th.   (Check it out here)

The Actual Dance project with its ambitious goal is supported by ticket sales, some foundation grants, and tax-deductible individual donations. (You can see a list of major donors here.) Please join us and help make this possible with your tax-deductible gift.  ANDTheater, formerly Artistic New Directions, in New York has been our artistic home for nearly 15 years and serves as our fiscal agent.  Click here to make a tax-deductible donation – and most importantly – help us book a performance where you live or in your community in 2018.  Donate 

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Breast Cancer Awareness Daily Month Blog: Day 2

10/2/2017

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The Actual Dance as a play presents the events of the year 2000 from my point of view as the spouse of the woman going through breast cancer.  From discovery to life as a survivor, Susan Simon, my wife has endured and is an unlikely survivor, at least according to her doctors.  What is presented in The Actual Dance though is the experience from my perch.  The husband whose experience with breast cancer has been that it never turns out well.  Moreover, death has been somewhat of a constant companion for me in my life.  My memory of loss goes back to when I was 4 years old, with grandparents, aunts, uncles and siblings, as well as parents, being lost to various diseases, but mostly cancer.  My reaction to Susan’s diagnosis in retrospect is not surprising.  Of course, in my mind, it is not going to end well.  But I’m getting a little ahead of the story.
 
Day 2:
“Oh, and one more thing, Sam.  The doctor wants me to see a surgeon to check out something she felt in my right breast.  Now Sam, she doesn’t think it is anything to worry about, it just felt funny to her.” The Actual Dance
 
Dumb luck? No. Awareness. Susan’s breast cancer was discovered because her internist during a routine check-up “felt something funny” in her right breast and arranged for a biopsy.

​Susan had a mammogram just two months earlier and the internist knew that.  It would have been easy enough to ignore that “funny feeling” to a bad memory.  Or just to be in a rush and wait until the next check-up.  The internist though was “aware” – totally aware of Susan’s record and history, aware of what the tissue should feel like and aware enough to know the possibility.  Safe, not sorry, so to speak.   

Awareness is not just for patients.   Is your doctor Aware?

Stat of the Day:  Breast Cancer is one the most often misdiagnosed, missed, cancers.  According to recent studies. (Click here and here)   The reasons for missing are often assigned to inadequate tools and lack of time and resources.

Task of the Day:  Make a note for your next doctor appointment. Check with your doctor to see how “Aware” he or she is of breast cancer developments and techniques.  It is a two-way process and important for you and your doctor to know your breast risks.

Resources of the Day:  First is a book I love and have recommended every year.
How Doctors Think.  It provides insight in fact to how your doctor thinks.  One of the suggestions which I live by in my own relationship with my doctor, is if it is important ask: “What else could it be.”  Here is a nice video by the Doctor who founded Breastcancer.org that seems to reinforce this point, she places most of the burden in the conversation on the patient to make sure the doctor is looking in the right direction and doesn’t forget anything.

The Actual Dance: Performances.   Donate.
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SAD NEWS

9/15/2017

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The email popped up on my laptop as I was traveling on the train from New York to Washington.  It did not actually say that in the SUBJECT line – but I knew.   It simply said: “Nancy”  

I knew what it meant.   It was from Bob, someone I met and worked with in 1970 as part of the small group of lawyers who started Ralph Nader’s advocacy groups.  Nancy was his wife.   She died 5 days ago and he wanted those of us who knew her from back then, as well as more recently to know.  The funeral is tonight.  Susan and I will go.  

The last time we saw Bob and Nancy was a little over two years ago at a dinner event that brought together many us from that early Ralph Nader era.  We hadn’t seen each other for a while and during that evening Susan and Nancy had a chance to talk about something they discovered they had in common: Breast Cancer.  They were both talking about their survivorship and how well they were doing.  Nancy died from her breast cancer on September 7th.   

It took my breath away.   A shudder of sadness washed over my body as I fought back tears.   The central question I faced in 2000 as Susan’s prognosis of her breast cancer became grave was:  “How am I going to be with Susan for the last, The Actual dance?”   Now my friend Bob,  a person whom I experienced as one of the kindest, sweetest and calm people I have ever met, and clearly smart as a whip, had experienced that moment.   

The news saddened me deeply and opened up that nascent wound in my heart and mind about “how am I going to do this?”   No Susan's breast cancer has not come back -- yet. 

Those familiar with the play know that the metaphor is of a magnificent dance in a ballroom placed in a different world and time dimension as one transitions out of this world.  Here are the last words in the play:
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      “Even today, seventeen years later, I listen, I listen with my heart where my love sits for the ever so slight change in the universe that will tell me that a new orchestra has been called to form.  . . .  Is that them playing?”
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Last week the orchestra was busy over at Bob’s house.  Playing whatever song he and Nancy wanted to hear.  And I know they held each other in their arms – each an equal half of the other – until at some point Nancy’s half left.  And Bob lost “the other half of his whole.”  
  
I look at my email with trepidation sometimes.  At our age – 72 – SAD NEWS​ is too often the words which follow: “Subject” in the header.  We all know what is going to follow.  Who in our life journey is now gone?  How can we help and support their loved ones who must now navigate a different world. What memories might we share? 

So here is the Nancy memory:
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Thursday, November 26, 1970.  What were the families of 13 young men and women who were being paid $4,000 for a year of work by Ralph Nader going to do for Thanksgiving?   We were invited to Bob & Nancy’s apartment and we all pitched in to buy a big turkey.   There is a picture somewhere of our then 5 month old son, Marcus, posing in front of a baked turkey almost the same size as Marcus alongside smiling Bob and Nancy.
                     
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WHAT LOVE DOESN'T REALLY MEAN

9/11/2017

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The Actual Dance is a love story.   I like to say it is about “what love really means.”   In the play, there is this line: “At 20 years old I don’t think we understood what love really meant.”   The reference is to Susan Simon, my wife of now 51 years, and me when we got married in 1966.  We of course thought we were in love, but what really did two twenty-year old kids know about love?

What I have come to understand is that love is a process made up of intimate, existential moments together.   Two people discovering an eternal bond that connects not mind but soul.

This comes up because of an opinion piece in the Sunday, September 10th, New York Times titled: “How to Fix the Person You Love,” by Eli J. Finkel.   It turns out that this is preview (marketing) piece for a forthcoming book titled: “The All-or-Nothing Marriage: How the Best Marriages Work.”

Let’s start with the fatal flaw in the book.  It is impossible for the authors to know how the “Beset Marriages Work” because we – Susan and I – were not interviewed.

Second, and more seriously, judged by the opinion-piece, the measure applied to “Best Marriages” has not thing to do with love, but rather the external-relationship between two people.  The idea the authors seem to wrestle with is can you live with what I will call a “life coach.”   Or in the author’s words: “…. some marriages can do it all. . .. [A]ffectionate partners can indeed play a critical role in determining each other’s success in reach their goals.”  

What does this mean?  Hard to know exactly without reading the entire book, but the hint is pretty clear: “[R]eceiving such support can be brutal.”  

Perhaps the real cue here is the reference to “affectionate partners” to describe the two people in a marital relationship.  I sort of get their point and perspective.  The external process of supporting and “pushing” a spouse to be the best they can be at their chosen vocation can be brutal.   

I however don’t think that has anything to do with love.   I prefer Jacob Needleman’s approach in his book: “The Wisdom of Love: Toward a Shared Inner Life.”    I have written about this before. Needleman describes marriage not as a living arrangement of “affectionate partners” but instead is of a fabric of connection between two souls on a single journey together.   Rather as a quality of connectiveness that is at a spiritual level not readily understood or experienced except upon continued commitment to a journey and the relationship.

The Actual Dance is a case study in that discovery, in that journey.  The “brutality” of this journey isn’t getting unbearable pressure from one’s partner to be the “best we can be.”  The brutality is in achieving the state of near perfect empathy.   Needleman says it this way: “We fail to realize that in certain rare moments – for example where we come face to face with death – we touch a completely unknown capacity of love within us.”

To be in love, he argues, and I do paraphrase, is to be in relationship with a person to be capable of such love in any situation in life.  That is: “To be toward another person in a way that supports (their) struggle is the full meaning of … love.”   “To be in this way toward the man or woman with whom we are sharing our life is to approach a transcendent purpose with the sometimes wondrous and sometimes agonizing round of joy and sorrow that makes up all of our lives together no matter how they may be judged according to the standards of society.”

And so, in The Actual Dance as I journey toward that anticipated moment of Susan’s last breath, I begin to understand:

“I am the other half of that which makes us, Susan and me, complete.  When else in our lives is it more important to be whole than when our body is badly broken.” 
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What love then “really means” in my book is that we become “an equal half” of a single whole – the relationship itself.  We are one.  What it doesn’t mean? It doesn’t mean me berating her (or vice versa) to be the best whatever we can be in the rough and tumble life a dog-eat-dog, race to the top of anything.  Perhaps I overreact to the example chosen by Eli J. Finkel for his New York Times piece:  The relationship between Katinka Hosszu and Shane Tusup, where Tusup becomes her Olympic coach and trains her to gold medals.  That is NOT what love really means, doing that and staying married may be a fete, but it isn’t the meaning of love. 
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Fifty One

8/22/2017

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The Actual Dance was written about a time during Susan and my 34th year of marriage when the doctors believed she was not going to survive.   During that time and the time since I have come to know and understand "what love really means."

​I recently had the chance to reach Simon Fitzmaurice's moving autobiography "It's Not Yet Dark."   In that book he talks about his diagnosis and decision to live with ALS.   It is moving, inspiring and at times difficulty to read.

​It resonates deeply with me because in some ways it is an argument for "life."   I learn that we cannot always "chose life" because of illness or accident.  What Fitzmaurice does for me though is reaffirm what I have come to learn through my journey with Susan and the process of exploration of life and love through performance and writing about The Actual Dance.   I have come to understand that the purpose of life is love.  

​Simon Fitzmaurice says in his book that life's opposite is not death.  It is love.   And I think I understand this thought.  It is expressed in two poems and a song.  So in celebration of our 51st anniversary I offer all three elements for your consideration:  The new poem:  The Opposite.  The Old Poem:  US and the based on US.
The Opposite
 
 I once thought Death Was Dark
And life was Light
What did I know for I had not yet Died
I since have learnt
What Love Means
And Now I know It’s Opposite
US
 
Life exists within each of us as a form of the Divine.

A tangible essence of who we are.

Love is when our essence became entwined.

Each an equal half of the other.

"I love you" simply awakens the US in you and me.
Enjoy the song as well.   All material is Copyrighted  by Samuel A Simon  2017  All rights Reserved
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IT IS THE "C"  NOT THE  "B"

6/9/2017

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                We did it!  Again!   39.3 Miles in two days.   Walking through the streets of Chicago Illinois as part of the Avon39 Walk to End Breast Cancer.

               My wife Susan (center), our Daughter Rachael Simon Proper (on right looking at the picture), and friend Nancy Kane (left) and I have been walking the walk, so to speak, for many years.  Susan was on her 16th walk, and is a 17-year survivor from her advanced breast cancer.   Nancy is on 13th walk and is a 22-year survivor.  Rachael and I just want to end it.

               Avon39 announced that the race raised about 1.3 million dollars.  The money goes to support both local and national research, care and education initiatives. 
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               Susan was walking for a decade before she told me that she wanted me to walk with her.  I had always assumed that this was something for her, and that my involvement would be in some way intrusive.  In my mind, I had separated my acting work and her walking as two separate personal endeavors.  Perhaps that intersection came when or a I was writing The Actual Dance. 

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          So, we walk because it is Cancer – Cancer that impacted our lives.   My Mother Frieda Alfman Simon died of metastasized breast Cancer.  Susan’s mother died of metastasized breast Cancer.  It is a Cancer that was supposed to end Susan’s life but thank God has not.  And every day for the last 17 years and for the rest of our joint-lives “I listen.  I listen with my heart where my love sits for the every so slight change in the balance of the universe that will indicated” that the Cancer has returned.
              
​            We don’t care particularly that it is Breast Cancer.   And I do have a complaint about the Avon39 Walk that I will now give voice to.  And that is the focus by so many on breasts: “Save the Tatas”, “Save Second Base”, “Boobs” and images of breast all over the place.  I get it, it is breast cancer, and “I really don’t care that they will be gone.  Or I least I don’t think I care.  I wondered sometimes if she (would) be less physically attractive to me without them.  I think that might be more important if her prognosis had been brighter.”
        
​       I am not the only one who has objected to these phrases.  A few years ago, this point was made very effectively in a guest post by Anita Little, originally posted on the Ms. blog. Her bottom line and mine are the same.  It isn’t about body parts – it is about life.  Yes, the focus on the breasts in this way​

Picture 17 Mile Maker -- 17th Year of Survivorship
 objectify women.  And yes, some of them add a bit of humor to a painful situation, and I note that there is now a “Save The Tatas Foundation.” 

               This year this balancing act of mixed emotions tilted against these cute campaigns.  Maybe because we are getting older and the walk I getting harder? 
Maybe because one our close friends is struggling to stay alive long enough to meet her first grandchild.   Maybe because it isn’t funny.  Yes, we must laugh --- even in the face of Cancer.  Let’s laugh though for the beauty of life, for the new humor in each additional day that is given to us, even after Cancer. 
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               And for the record, I don’t give a damn that Susan’s breasts are gone.  What I care about is that she is here every day.

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The Actual Dance Turns 4

6/17/2016

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Here are some things I did not know that I do now know because of what started 4 years ago
  • Life exists in each of us in a tangible form, the essence of how we are, beyond the physical body.
  • Love is when our essence becomes entwined, each an equal half of the other
  • There is a Dance, a Dance that one day each and every one of us will Dance.
  • There is an infinite beauty and dignity to be experienced when one must Dance with the person they love most in the world

A radical transformation in my life emerged four years ago when I decided to take the step of completing a story I had started to write as part of my theater exercises with Artistic New Directions.  “Tell a story, write it down and then perform it.”  That was exercise that Jeffrey Sweet and Gary Austin, two of my teachers were suggesting we do.  My first attempts were feeble.  And then something happened, I started to write the story of my life – the story of how I confronted the near loss of my wife to breast cancer. 

The story poured out of me.  The writing of it happened largely in two sessions, each on an airplane during a leg of a trans-Atlantic flight.   I don’t even remember anything other than being bent over the small laptop typing away.   Then the help of Gabrielle Maisels, my amazing dramaturg and coach.   A guiding, knowledgeable, gently hand that challenged me to thin, change and move forward.   The readings that followed, especially in class with Carol Fox Prescott, the amazing acting teacher and coach who has taught me so much.

The experience of this journey from has taught me the power of the help and dedication of others.  Perhaps this is true of all theater and perhaps of all of life, we don’t build our own future, we are gifted the opportunities offered by the work and dedication of others.  Yet there was something very special about how much others have dedicated themselves to the development and continued evolution of The Actual Dance.   Jessie and Jon Roberts the first director and sound designer.   Kate Holland the current director. The support from all those at Artistic New Directions and their larger family.   All those who have helped out financially to develop this work.  They are listed on our web site.   A special note of the importance of the support and generosity of Robert Chase and the folks at Intersections and the Collegiate Churches of New York.   They have nurtured this and have encouraged me to see what was inside of me and to let it out.   And to Gregory Johnson and the folks at EmblemHealth Corporation.  They saw in the show something I did not at first understand – that it was a show about the Family Caregiver.  (Confession, before meeting Greg and I didn’t even know the phrase!) 

So many amazing people have made this small journey so deep and so meaningful. 

And of course Susan Meryl Kalmans Simon.   She has made me alive and her love is the core of this story.  Of in fact “Our Story” – you can watch a video by that name here.

And now – on Monday, June 20th, just four years later – a landmark step:  The Actual Dance, with Chuk Obasi.  The show moves beyond me into the world as theater to be performed by others.  And in this instance by an African American actor who will tell this story through different eyes and in a way that will I hope connect to the hearts and souls of a much broader audience.  There is still room to attend, click here to reserve a spot!

I will also be offering an Anniversary Performance on the 20th in McLean, Virginia at the McLean Community Center where I did one of the very early public readings of the show.  You can click here to attend that performance.

There is language – a vocabulary – which I don’t yet have to explain the power of The Actual Dance experience on the audiences that have seen it.  In four years there have been about 110 performances.  About 3000 people have seen the show.  What changes me the most is what I hear from those who have seen it.  The individual stories and whispers in my ears.  “Sam, I went through the same thing.  I thought I was nuts, I have never shared it with anyone.  Thank you.”  The tears in the woman who walks up to me, crying saying “I have never said this out loud before, but I too had the experience with my mother.”   

                My favorite gift, so far, is from the gentleman who walked up to me alongside his wife on the streets of Indianapolis and said:

                “I saw your show Thursday night and I just wanted to thank you and to tell you that how I related to my wife has been changed forever.  Thank you.”

                I thank him, I thank all those who have created for me the opportunity and the capacity to change the world by telling a story about what love and life really means.

                My mission statement for this work has been and continues to be that The Actual Dance be performed so that all those who “need to see it have the opportunity to do so.”  You bless me and support me in this mission by attending and spreading the word to those who you know need to see this story.
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                Thank you.  Thank you.  Thank you.  
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Love and Marriage

2/25/2016

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As February comes to an end I return to thoughts of love and marriage.   And I am not the only one.   David Brooks wrote his column in the New York Times on February 23rd about “Three Views of Marriage.”  I have of course been focusing on that topic writing two columns about Valentine’s Day in February.
 

Then of course I am thinking a lot about marriage these days as Susan and I are rushing headlong through our 50th year of being married.  We were married August 23rd, 1966. 

David Brooks is always elegant and thoughtful.  He doesn’t explain why he chose to write about marriage on that particular day, though one might well presume it is related to Valentine’s Day.  He talks about three different “lenses” on marriages:  psychological, romantic and spiritual.   The psychological seems to be a Myers-Briggs version of partnerships.  Find someone with complimentary traits or particular traits that you might be inclined to like.   The romantic is about passion and attraction, and of course always runs into the problem of wearing thin.  And then spiritual, ways of finding and supporting the sacred in each other.

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The Actual Dance has a lot to say about this question.  What it says to each member of the audience will, I am sure, depend on each audience member’s own experience in life and love and marriage.  It imagines the possibility of two 20 year old ‘kids’ thinking they are in love.   In the play, and with the hind sight of nearly 50 years, I say: “I don’t think two 20 year olds really understood what love meant.”  

Yet it meant something, otherwise why did we want to get married?   There were a lot of reasons.  Let’s start with Passion.  Clearly, we had a sexual passion for each other and in 1966 there was still this idea that if you had sex with someone you probably should get married.   We also had strong family role models of marriage.   My memory now is that it felt like something we were “supposed to do” if we felt that way about each other.    In retrospect however I now understand that even back then young folks were having lots of sex with multiple partners, just not talking about it.   Ultimately, passion is a good start for marriage. It may well be what drives people together.  A good start if you will.

There is another factor when you get married at 20 years old:   You end up growing up together in a much different way that if you get married later in life.  Although, according to Brooks, people don’t change much over a lifetime.   That has not been our experience.  Instead, we have been partners in life’s most significant moments.  Maybe we are luck – or unlucky.  A year after we got married Susan’s mother and my father died – two weeks apart.  We had our first child at 26 and our second and 28 years old.   These moments are significant.  They create shared, highly emotional moments.   They begin to create a single shared existence in ways that I think are different than if you experienced those moments either alone or with different partners.

These shared moments and experiences begin to create a shared “inner life.”  This is the ultimate connection that Brooks calls spiritual and which Jacob Needleman calls:  “The Wisdom of Love.”   It is the idea of being in relation to someone with the purpose of supporting their own quest for meaning and purpose in life.   I have written about this before.

Ultimately though, real love and real marriages are existentially intertwined.  There is a time when people become one.   It is a process.   The lines in the show are:  “I am the other half of that which makes Susan and me complete.”  And “When is it more important to be whole then when our body is badly broken?” referring to me experiencing Susan’s cancer as if it were also in me.

What does one mean?  It is a spiritual bonding – it is both physical and soul.   We can share breath as we kiss, and we can be complete only when we are with each other in some real physical way in the presence of the one life we have created together.

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Welcome to October Breast Cancer Awareness Month --- Day 1

10/1/2015

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October is Breast Cancer Awareness Month.   The Actual Dance is, among many different things, about breast cancer. It is also about love.  It is also about relationships.   It is also about spirituality and what life really means.   It is about a lot of things. 

In October in recognition of Breast Cancer Awareness I will post a daily blog with a reflection about breast cancer. The reflections will stem from something in the play.

Day 1: I did not have breast cancer.  My relationship to breast cancer is based on the impact that breast cancer has had on our family.   Susan’s mother, Bertha Kalmans, and my mother, Frieda Alfman Simon, both died from metastatic breast cancer.  My sister Marion Simon Garmel is a survivor.  Susan’s sister-in-law Roz Kalmans is a survivor. The Actual Dance tells a story of MY journey in response to Susan’s diagnosis of stage 3 breast cancer in 2000.   Given our family history you now have of my mother and Susan’s mother, what do you think my reaction was to Susan's diagnosis?  If you have seen the show you know. 

Stats of the Day: According to breastcancer.org 231,840 new cases of invasive breast cancer are expected to be diagnosed in women in the US, along with 60,290 new cases of non-invasive (in situ) breast cancer.  About 2,350 new cases of invasive in men in 2015. 

Task of the Day (for men and women):  To be aware is to be conscious of something. That means think about it.

Resource of the Day:  Cancer Support Community In July 2009, The Wellness Community and Gilda’s Club Worldwide joined forces to become the Cancer Support Community. By helping to complete the cancer care plan, CSC optimizes patient care by providing essential, but often overlooked, services including support groups, counseling, education and healthy lifestyle programs. Today, CSC provides the highest quality emotional and social support through a network of more than 50 local affiliates, 100 satellite locations and online.  Find a local Cancer Support Community affiliate here.

The Actual Dance:  Performances.   Donate. 

You can follow these daily blog posts here.

Please share your experiences with breast cancer by leaving a comment here.

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    Sam Simon

    Samuel A. Simon is the playwright and performer of The Actual Dance. 

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